Siddhartha and the River

Siddhartha looked into the river and saw many pictures in the flowing water. He saw his father, lonely, mourning for his son; he saw himself, lonely, also with the bonds of longing for his faraway son; he saw his son, also lonely, the boy eagerly advancing along the burning path of life’s desires; each one concentrating on his goal, each one obsessed by his goal, each one suffering. (Location 1229)

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One of my favorite quotes of all time. Captures the intensity of the drama played out on the stage of human life, of hate, cruelty, love, compassion.

“Have I have played my part well in the comedy of life? If so, clap your hands and dismiss me from the stage with applause.”

Augustus

He no longer saw the face of his friend Siddhartha. Instead he saw other faces, many faces, a long series, a continuous stream of faces—hundreds, thousands, which all came and disappeared and yet all seemed to be there at the same time, which all continually changed and renewed themselves and which were yet all Siddhartha. He saw the face of a fish, of a carp, with tremendous painfully opened mouth, a dying fish with dimmed eyes. He saw the face of a newly born child, red and full of wrinkles, ready to cry. He saw the face of a murderer, saw him plunge a knife into the body of a man; at the same moment he saw this criminal kneeling down, bound, and his head cut off by an executioner. He saw the naked bodies of men and women in the postures and transports of passionate love. He saw corpses stretched out, still, cold, empty. He saw the heads of animals—boars, crocodiles, elephants, oxen, birds. He saw Krishna and Agni. He saw all these forms and faces in a thousand relationships to each other, all helping each other, loving, hating and destroying each other and become newly born. Each one was mortal, a passionate, painful example of all that is transitory. Yet none of them died, they only changed, were always reborn, continually had a new face: only time stood between one face and another. And all these forms and faces rested, flowed, reproduced, swam past and merged into each other, and over them all there was continually something thin, unreal and yet existing, stretched across like thin glass or ice, like a transparent skin, shell, form or mask of water—and this mask was Siddhartha’s smiling face which Govinda touched with his lips at that moment. (Location 1375)